$75 Per Day - JBL PRX812W 1500W 12-Inch Powered Speaker
Perfect for Main PA and/or Floor Monitor applications
Maximum SPL output: 135 dB peak
Frequency range (-10 dB): Main: 52.6-20k Monitor: 50.3 - 20k
Frequency response (±3 dB): main: 58.1 - 20k monitor: 59- 20k
Input connectors: 2 x balanced XLR / 1/4 inch input, 2 x unbalanced RCA input
Power rating: 1500W (750W x 2)
AC power input: 100V - 240V ~ 50/60 Hz
Dimensions: 23.6" x 15.1" x 13.4" / 599mm x 385mm x 341mm (H x W x D)
Net Weight: 42.5 lbs. (19.4 kg)
Gross Weight: 48.0 lbs. (21.2 kg)
$65 Per Day - Electro-Voice ELX115P 15-Inch Powered Speaker
1000 W Class D lightweight amplifier
LF Transducer: (1) EVS-15K, 381mm (15”) Woofer
HF Transducer: DH-1K, 39mm (1.5”) Titanium Diaphragm Compression Driver
44 Hz – 20 kHz frequency range; 134 dB max SPL
Rugged wood cabinet
9-ply, 15mm Plywood, Internally Braced
Coverage (Nominal -6 dB): H° 90 °
Coverage (Nominal -6 dB): V° 50 °
Crossover Frequency: 1.7 k Hz
Connector Type: (2) XLR/TRS Combo Jacks, (1) Stereo RCA, (1) XLR Link Output
Grill: 18GA Steel with Black Powdercoat
Height: 708 mm (27.87")
Width: 432 mm (17.01")
Depth: 382 mm (15.04")
Weight Net: 24.3 kg (53.57 lbs)
$50 Per Day - Mackie SRM450v3 12-Inch 2-Way Powered PA Speaker
1000W system power paired with custom transducers deliver gig-level volumes with room to spare
12" high-output LF driver/1.4" titanium dome compression driver
Patented acoustic correction developed with touring geniuses at EAW
Precision 2-way crossover
Driver time alignment and phase correction
Quick one-button Speaker Mode selection for application-specific voicing (PA, DJ, Monitor and Soloist)
Effortlessly eliminate nasty feedback with one-button automatic Feedback Destroyer
Integrated 2-channel mixer featuring dual Mackie Wide-Z inputs
Includes stereo RCA inputs for easy connection to music source
Monitor-specific angle and voicing mode perfect for cutting through on stage
$30 Per Day - Mackie Thump12A 1300W 12-Inch Powered Speaker
Perfect for Main PA and/or Floor Monitor applications
12″ high-output woofer / 1.4″ titanium dome compression driver
1300W of ultra-efficient Class-D power: LF -1000W, HF - 300W
Class-leading, chest-thumping low end
Built-in 2-channel mixer handles mic, line and instrument signals with ease
XLR thru output
Four Application-specific speaker modes for instant system optimization
Weight: 35.5 lbs. / 16.1 kg
$200 Per Day - JBL SRX828SP 2000W Dual 18-Inch Powered Subwoofer
Max SPL Output: 141 dB
Frequency Range (-10 dB): 29 Hz - 150 Hz
Frequency Response (-3 dB): 35 Hz - 120 Hz
Amplifier Design: Class D
Power Rating: 2000 W Peak
Dimensions (H x W x D): 574 x 1205 x 681 (mm)/22.57 x 47.42 x 26.79 (in)
Net Weight: 65.9 kg (145 lbs.)
$60 Per Day - Mackie Thump 18S 18-Inch Powered Subwoofer
1200W of room-shaking low end
Professional band-pass design for maximum output and deep, room-filling lows
18" custom high-output woofer
Cool-running Class-D amplification
Precision crossover (140 Hz)
Tuning filters deliver highly accurate bass response
Robust system protection
Dual XLR inputs for mono or stereo applications
Stereo high-pass outputs optimize sound when connecting top boxes
Stereo full-range outputs perfect for adding more subwoofers
User-adjustable level and polarity controls
Easily mount your full-range loudspeaker via pole cup
"Built-Like-A-Tank" all-wood enclosure with high-durability finish
Weight: 82 lbs / 37.2 k
$200 Per Day - Behringer X32 40-Input 25-Bus Digital Mixer
40-input channel, 25-bus digital mixing console
32 MIDAS-designed, fully programmable mic preamps
25 Fully automated motorized 100mm faders
16 XLR outputs plus 6 additional line in/outputs
32 x 32 channel USB 2.0 audio interface
Main LCR, 6 matrix buses and 16 mix buses
6-band parametric EQ's and full dynamics processing
8 DCA and 6 mute groups
Virtual FX rack featuring 8 true-stereo FX slots
Scene management
Networked remote control for show setups with on-screen software editor via Ethernet
$70 Per Day - Behringer S16 Digital Snake 16-Channel Stage Box
16 MIDAS-designed, fully programmable mic preamps
8 analog, servo-balanced XLR outputs
AES50 network ports
Dual AES50 ports for cascading S16 units
Phones output assignable to any input/output
Connectivity Behringer P-16 Personal Monitoring System
Dual ADAT outputs
MIDI In/Out for bi-directional communication
USB connector for system updates via PC
Switching power supply for flexibility (100 - 240 V~)
"Built like a tank", all-steel 2U rack-mount chassis
$35 Per Day - Shure P3T Wireless Transmitter for PSM300 System
Works with PSM 300 Stereo Personal Monitor System
Offers a 24 MHz tuning bandwidth (regionally dependent)
Transmitter sends a stereo or mono mix wirelessly to performers onstage
One-touch IR sync on user-friendly front-panel controls instantly links transmitter to receiver
Rear-panel 1/4" (6.3 mm) TRS balanced inputs and loop outputs provide versatile connectivity to audio sources and other P3T units
Up to 30 mW output power (regionally dependent)
High-contrast LCD screen with left/right audio output meters
Selectable line/aux level
$45 Per Day - Shure P3RA Wireless Bodypack Receiver for PSM300
LCD screen features high-contrast menu-based navigation for advanced features including volume limiting and 2-band shelving EQ with high and low boost
MixMode technology enables adjustment of two independent monitoring mix levels
Stereo mode enables adjustment of left / right balance
Power save mode preserves battery life when earphones are not connected
5-Segment battery status LEDs provide clear indication of remaining charge
$30 Per Day - Shure BLX24RB58 Wireless Rmt HH Mic w/ Beta58 H10
Battery Life: Up to 14 hours
XLR and 1/4" output connectors
Microprocessor-controlled internal antenna diversity
Two-color audio status indicator LED
Green: Normal audio levels
Red: Excessive audio levels (overload/clipping)
Adjustable output level
LCD display with detailed RF and audio metering
Integrated microphone capsule design
Lightweight, rugged construction
-10 dB gain attenuation
$10 Per Day - Shure UA8 1/2 Wave Omnidirectional Antenna for Wireless Mic Systems
$10 Per Day - Shure SM58 Cardioid Dynamic Vocal Microphone
Type: Dynamic
Frequency Response: 50 to 15,000 Hz
Polar Pattern: Cardioid
Sensitivity: –54.5 dBV/Pa (1.85 mV), (at 1,000 Hz Open Circuit Voltage): 1 Pa = 94 dB SPL
Impedance: Rated impedance is 150O (300O actual) for connection to microphone, inputs rated low impedance
Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Case: Dark gray, enamel-painted, die cast metal; matte-finished, silver colored, spherical steel mesh grille
Connector: Three-pin professional audio connector (male XLR type)
Net Weight: 298 grams (10.5 oz)
Dimensions: 162 mm (6-3/8 in.) L x 51 mm (2 in.) W
$5 Per Day - American Audio VPS-20 Dynamic Handheld Microphone
$10 Per Day - Shure SM57 Cardioid Dynamic Instrument Microphone
Contoured frequency response for clean, instrumental reproduction and rich vocal pickup
Professional-quality reproduction for drum, percussion, and instrument amplifier miking
Uniform cardioid pickup pattern isolates the main sound source while reducing background noise
Pneumatic shock-mount system cuts down handling noise
Extremely durable under the heaviest use
Frequency response: 40 to 15,000 Hz
$16 Per Day - Shure BETA-52A Premium Dynamic Kick Drum Mic
Powerful mic optimized for kick drums, bass amps, acoustic bass miking and more.
Frequency response shaped specifically for kick drums and bass instruments.
Frequency response: 20Hz - 10kHz.
Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum.
Studio quality performance, even at extremely high sound pressure levels.
Super-cardioid pattern for high gain before feedback and superior rejection of unwanted noise.
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration.
Neodymium magnet for high signal-to-noise ratio output.
Low sensitivity to varying load impedance.
$15 Per Day - Radial ProAV2 Passive 2-Channel Multimedia DI
1/4" Input: Instrument input connection to the ProAV2.
RCA Input: Stereo input can be used with CD players, tape decks, VCRs, etc. A second set of RCA jacks can be used as a thru-put.
3.5mm TRS: -10dB stereo input connects PC sound cards and headphone jacks.
-10dB Pad: Reduces input level from high output devices like CD Players and headphone outputs.
Ground Lift: Disconnects the ground path at the input.
XLR Outoput: Balanced 600O mic level output, feeds mixer or mic preamp.
Ground Lift: Disconnects the ground path at the XLR output.